Showing posts with label training. Show all posts
Showing posts with label training. Show all posts

Friday, June 13, 2014

Complete bodyweight strength training perfect for swing dancers

Swing dancers don't even need to lift weight for peaking performance. I discover GMB channel recently and the free material is oustanding and deconstructed in many small steps. I would probably suggest to add some easy sprinting sets 3-4 times/week to optimize your posterior chain and some walking for health, but again, less is often better than more.


First assess with those 4 basic forms



Pick and work on 1 ''pushing'' movement








Work on 1 ''pulling'' movement




Get some leg strength




Friday, May 16, 2014

Today emWave session level 3/4

As I mentioned before, I don't have the data to confirm any health or mental benefits, just impressions. What I can say for sure, assuming I trust the product doesn't just fool me, is that I'm getting better at it, so we can call this process a skill. 

Cardiac Coherence

Tuesday, November 26, 2013

5x5x5 first cycle results and observations

After my last summer 40 days challenge, I was looking for something similar considering the awesome results I got. I came across this other instant classic Pavel’s program 5x5x5 from Beyong Bodybuilding which would solve most fatigue/injuries  issues I experienced with the 40 days challenge. The outlines are similar : 5 exercises (at least 3 compoud lifts), 5 days/week / 5 reps (workset) / 5 weeks. The reduced volume and the taper week (4th) got my attention and would keep me fresh for dancing.

My 5 exercises / starting weight 5 reps /  max out 5th week / previous best:

Bench press

155lbs x 5
195lbs x 1 (easy no spotter)
195lbs x 1 (hard with spotter)
Sumo deadlift

305lbs x 5
425lbs x 1
405lbs (conventional)
Weighted pull ups

15lbs x 5 (187lbs BW)
45 x 1 (192lbs BW)
25lbs x 1
Clean & push press

95lbs x 5
175lbs x 1
N/A
Suitcase deadlift

135lbs x 5
185lbs x 5
N/A

Observation
  • That’s a lot of pulling!!! Even with such a low volume, my performances dropped drastically after my deadlifts. Plus, the deadlift, the clean and the suitcase have a similar pattern. Considering all the above, I was still way less tired than during my 40 days challenge.
  • As expected, my deadlift loves an everyday approach and my bench not that much even I put it as my 1st exercise.
  • Cleaning everyday really improved my shoulders mobility.
  • I put on 5lbs in 5 weeks. Fivers makes a good difference compared to sets of 1-2-3 reps.


Strategies
  • I’ll keep the same basic 5 weeks structure 5x5x5 for my posterior chain move (probably back squat next). My body seems to respond really well to this everyday approach.
  • I’ll try ladders for all upper body movements (5 days press/pull/press/pull/press) starting with a weight I can handle for 3x(1,2,3 reps).
  • I still hesitate between variety of movements (like 3 presses/2 pulls) or 2 movements (1 press/1 pull). From my understanding, variety would help with shoulders health and fewer movements for maximum strength.

Videos

Floor press should help to keep those forearms in line.

It wasn't even that hard, but I prefer to stop when I feel that my technique is going south.

I guess I didn't make it entirely to the top...

I really enjoy doing those! 1.5x my BW is my goal.

I trained those with lighter weights and Fatzgrip for 3 weeks.

Monday, November 11, 2013

Rest, rest, rest.....

Whenever You are obsessed as I am about training and dancing, off days need to be part of a bigger plan. Today I'm fasting, doing some laundry and watching Doctor Who!

Tuesday, August 6, 2013

On deadlifting

Many coaches in a variety of disciplines will swear almost soly by deadlifts as long as strength is concerned. I love that quote!

Elliott Hulse:  Deadlifts.  If there's only one thing that everyone does, it's deadlifts.  When you deadlift, you're using every single muscle in your body, and you have to use every single muscle properly in order to perform the deadlift.  Deadlifts are not one of those exercises where you can fake it for very long.  The minute you get down to put your hands on that bar, you don't even have to lift it, I know where you're screwed up.  I can tell if your ankles are tight, if your low back is weak, or if your neck is tense and tight.  I can tell you anything you need to know about your body the minute you bend down to touch that bar to pick it up.  And once you can get your deadlift looking good—and it doesn't even need to be heavy—and when you can move in a proper pattern, then everything is where it needs to be and the sky is the limit. 

Read the full article here.

Wednesday, June 12, 2013

Being your own coach: micro managing to failure

After a while of strength training, I would feel stronger, but I would still bench press like a little girl. I was watching Elliot Hulse on Youtube and realized my head was not in the workout I was doing, but already thinking about what I should change, adjust, important exercises I was missing and so on. Elliot also said something else that stuck into my head. There are a lot of great programs out there, so I should just pick one proven to work and stick to it. I had to think about my priorities:
<![if !supportLists]>·         <![endif]>Focus on strength and power
<![if !supportLists]>·         <![endif]>Not to time consuming, I need time to dance!
<![if !supportLists]>·         <![endif]>Not too tiring, I need to be able to dance right after workout.

From there I switched to a 5/3/1 program (explained in detail here). Basically, this program focuses on 4 lifts: Squat, Deadlift, Bench press and Overhead press. In 5/3/1, we workout with ridiculously sub maximal weight most of the time and lift 90% of 90% 1RM once every 4 weeks for 1 rep. I finish every workout fresher than when I started it! Also, You can pick freely all accessory exercises which accommodate my burning desire for customization and in the end, as the author put it, there are just accessory then don’t matter as much as the main lifts. Plus, beside the fact that I need to go at the gym 4 times/week, my training session can be super short between 25 and 45 min.

The math can be quite intimidating at first glance, but all I did was to automate a calculation sheet on Google drive and I add weight every 4 weeks, that’s it! I always carry my phone to the gym anyway and I was already keeping track of my training session on a calculation sheet. I got myself a program I’m not allowed to customize in the essence and that works itself up.

It got me thinking. What if I was doing exactly the same thing with my dance training. What if I keep changing my focus, so it limits my ability to improve over the time through deep practice? I usually start every session with aerial/dip/lift training, for this is exhausting. I will stop before my partner or I is tired, so we can keep practicing after that, avoid injury and keep the best form possible. Then, I will choose a random theme (such as rhythms, moves, lines, jams, etc.) and work on it for the entire session, but if I can’t work on it because of my partner’s limitations. In that case, I will select some drills to work on the specific difficulty we encountered and get back to whatever we were doing if possible.

Because you can’t quantify dancing, we need to rely on subjective results such as videos, feeling and memory. What if I avoid what I should be working on, because it’s easier this way? I definitely do that with solo dancing! Everybody has a tendency to surf over difficulties especially when nobody is pointing them out. Automating my practices and tracking actual results, that’s what I still need to improve.

If you are interested to follow my day to day workouts and dance practices, I suggest you take a look at my Google+ Page where I post personal videos almost everyday.

Keep on working!

Fred

Monday, January 14, 2013

Balboa guy, fitness guy, massage guy, nutrition guy...or about being labeled.

Over the last couple of years, I received several labels. Truth is, labels are often there for a reason, but just part of the portrait. 

Because I have never seriously competed into Lindy Hop, I still known mainly as a Balboa dancer even if I practice just as much in Lindy Hop, Ballrooming and other minor specialities such as Collegiate Shag, Break Away and Charleston 20'.

Because I started to develop an more athletic vision of the path of the Swing, people starting calling me fitness guy. I admit that I know a lot now about athletic development and how a dancer should train for peak performance, but fitness as never been my final goal.

Fitness lead me on the nutrition topic, fat loss and peak athletic performance, and I got deep into it as usual. Shortly after that, I became nutrition guy!

Pain releasing techniques, anatomy, fitness, nutrition, those are all tools any athlete should be aware of, including Swing dancers. I only decided to school and educate myself and keep doing it everyday.


Sunday, December 30, 2012

What have I been doing last fall?

I know I have been more busy than ever. Here's a recap video of last September. Other clips should come up eventually! 

Sunday, September 30, 2012

Methods & findings in swing dancing

In an Era, where certification is all that matters, it is so hard for self taught like myself to get any credibility in fields like fitness and nutrition. It’s alright for the moment though, for I have no intention to turn that knowledge into a business anytime soon, and if I do one day, I know I will need some monkey paper to prove I’m good. Well, that’s life in the 21st century.

The most useful certification I ever got was my degree in Ancient Studies. It sounds farfetched doesn’t it? Well, that degree was so difficult, du to a bunch of enthusiast over qualified teachers that it forced me to develop a learning method that works for me.

I have started martial arts and then swing dancing pretty much in the same period. It struck me right away, coming from a hardcore academic program, how unstructured and amateurish those fields were. Most of the talented dancers or martial artists I looked for to teach me had a hard time passing away their knowledge.

I eventually found decent teachers, but having developed a method in my earlier years is what served me the best. It become obvious to me what the basics were and that I had to work on them neglecting everything accessory. Fortunately, I never had a hard time managing my ego, so while people who started dancing about the same time I have were working on fancy stuff, I kept on working on the basics. Then when I’ve mastered them enough I moved to the fancy stuff and it became obvious to everyone that I have become an advanced dancer at that point.

This is about the time I started wondering about how they train in similar professional disciplines such as gymnastic, other form of dancing, circus, partner skating and so on. I was coaching a team with the Swinging Air Force back in those days, but the way they trained, mostly treadmill and machines, didn’t seem like something that will truly help me out.

My first clue was Pilates. If this is a well kept secret of the ballet dancers, it’s probably worth checking out. So, I taught my Pilates with books and videos. This is about the time P90X became very popular among star dancers.  I decided to give it a shot after a couple of months starting with the videos that develop abilities Vs. those that develop muscles. It worked great! This is why I will never spit on that program. It gave me a bunch of clues about athleticism and what I should work on. So, I focused mostly on core workouts, a lot of yoga, Pilates and mixed with Insanity workouts. This is also when I started noticing that Pilates seemed only to improve when mixed with other workouts which rang a big bell to me!

The drawback with such a regimen is that if you dance and workout 6 days a week, it becomes very taxing for the body. Studying anatomy, reading a lot of books, watching a lot of videos and surfing the web finally put my on the trail of strength training.

I finally discover that beside some cultural differences, this is how most of professional athletes are doing. They treat strength as any other skills they have to master to improve in their respective field. And the great news was, there is no such thing as a specific program depending of the sport you practice. Despite the different strength programs, theories and schools, the basic ideas are always there: low reps, heavy weights, lot of rest between sets and you should feel energized after your workout and ready to practice your sport. Forget about ‘’cardio’’, crunches, machines and other non sense. 2 or 3 big bang exercises such as deadlifts, squat, bench press, overhead press, pull ups or any of their variations is all that you need.

It sounds too good to be true, doesn’t it?  Well the major obstacle to success, especially in a world without anyone to guide you is yourself. Our fitness background tells every one of us that we should sweat, work hard and be sore after a workout and if we did a good job, we should even feel it for a couple of days. Even for someone as open minded as myself, it took me months to finally accept that I should do less and keep my workout very short and very efficient.

Guess what? It works! And the results were almost immediate. 8-10 weeks were all I need to note a real change in my athleticism, even while doing too much. I would move faster, jump higher and could throw my girls like never before for an incredible amount of repetition. How about my cardio? I got better as well! That is the beauty of it. What being stronger really means is that everything physical that used to be hard becomes tolerable and everything tolerable becomes easy. The stronger you get, the easier it becomes to do what you could not or barely could do before. Strength is a skill and should be treated as such. Plus, working out 3 days a week for 30-40 minutes or so and focusing most of your time on your dancing skills put all the pieces together.

Despite some adjustments I am still doing on my method, it seems to be surely what a professional swing dancer needs to differentiate himself from the others. As we often hear in the world of strength: ‘’at equal skills, the strongest opponent wins’’. It does sound better when talking about UFC fighters, however facts remain. The objective is not to be as strong as a power lifter, but simply stronger to maximize your other skills!

Fred Barbe
Personal Website
Swing Dance Montreal
Rock’n Swing
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Friday, July 6, 2012

4 Steps to Effectively Coaching Exercises (re-blog)

This is an awesome article from Mike Robertson about coaching a movement. Of course, it first targeted gym coaches, however almost everything in this article is applicable to coach swing dancing. Have fun!
-------------------------------

One of the most important things we do at IFAST is teach.
It goes further than just teaching our clients; we’re convinced that teaching our interns and starting them on the path to becoming a great coach is part of what makes us great at what we do.
A few weeks back, I was grilling our current crop of interns on the various soft-tissue, mobility, and acute corrective exercises we use. One common mistake they made was failing to properly introduce a new exercise.

When coaching new exercises, I think it’s imperative to follow a four-step process.
  • Step #1 – Name the Exercise
  • Step #2 – Describe the “Why”
  • Step #3 – Show It
  • Step #4 – Coach It
Let’s examine each of these points, along with why each one is critical.

Step #1 – Name the Exercise

The first thing you should do when introducing a new exercise is to tell them the name of the exercise. If you have a typed or written program, pointing to the name while saying it will really help the visual learners in your gym.
This part is pretty simple, but telling them the name (and showing it to them, if possible) will help them remember the exercise in the future.

Step #2 – Describe the “Why”

This may be the most important part of our equation. Furthermore, this is a critical component of the selling process.
(Keep in mind whether you’re selling your services in a gym or selling your program to athletes at your school, this always applies – you’re always selling).
When you write a program for a client, each and every component of said program should have a rationale behind it. You don’t just randomly pick exercises, sets and reps, tempos, etc.
Instead, every component of your clients’ program has reasoning behind it, and it’s your job to explain how this specific exercise will help them achieve their goals.
Keep in mind, this doesn’t always need to be incredibly in-depth or technical. 98% of your clients don’t care about their psoas, thoracolumbar fascia, or lateral pterygoid!
Instead, they want to know why those muscles in the front of the hips are causing their back pain, or why they shouldn’t stretch the big muscles on the back of their thighs.
Describing the “why” in a down-to-earth and easy to understand fashion is a critical component to your success. I firmly believe the more you coach and educate your clients, the more they will trust and respect you!

Step #3 – Show It

Once you’ve named the exercise and explained why it’s important, the next step is for you to physically perform the exercise for them.
This is where you need some modicum of exercise proficiency yourself!
If you work with an elite or professional athlete, you may not need to perform the exercise with the same amount of load, but you need to be able to demonstrate the exercise correctly and with solid technique.
This reminds me of a conversation I had a few years back with Carolina Panthers strength coach Joe Kenn. He told me that his goal was to be able to power clean, front squat and back squat 135 until he was 60 years old, because that would keep him in the game and show his athletes he could still walk the walk.
After demonstrating the exercise, you need to highlight a few of the key points or things to focus on as well. The goal isn’t to overwhelm them or give the 101 things to think about. Instead, give them a few big focal points, and then let them give it a shot.

Step #4 – Coach It

You’ve name the exercise, you’ve stated why it’s important, and you’ve demonstrated it.
All that’s left is actually watching them and coaching them on the lift!
I like to focus on one or two big cues per set. Obviously, if they are doing something that is blatantly injurious, that’s the first thing you need to fix! The last thing you want is someone getting injured on your watch.
A big issue I’ll often notice with interns once they start to “see” what’s going on is overwhelming the client with cues, like:
  • “Your right foot is turned out 2 degrees too far,”
  • “There’s the slightest hint of hyperextension in your lumbar spine,”
  • “Your neck is 3.73 millimeters away from neutral,”
and so on. Yeah, I’m exaggerating, but not by that much. :)
It may help to think of coaching exercises as a pyramid. The base of the pyramid is the big-ticket items that absolutely must be correct in order for them to execute the exercise correctly.
These are the things you want to focus on and address first and foremost.
From there, as your client improves the quality of their movement and technical proficiency, you work your way up the pyramid and you start to fine-tune the little things you want to address.
But if you try and build the entire pyramid at once without prioritizing, you’ll not only overwhelm the client, but you’ll reduce their likelihood of success as well.

Summary

Coaching new exercises is something that we do as coaches and trainers every single day.
If you’re not already using the method outlined above (or one similar to it), give it a shot for the next 3-4 weeks. I think your clients and athletes will really like this streamlined approach to coaching!

Saturday, June 30, 2012

Fred Barbe swing pratices & workouts : May 24th to June 6th

I haven't been lazy lately, just busy! Here's some footage from the beginning of the month. And if you think I don't know my Collegiate Shag is still lame... If it's hard, it must be good, right?!




Fred Barbe